Hellenistic art

Hellenistic art
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flower leis Lei0089 Simulated silk flower leis moAnd you can see more from frozen /dry vegetables white stone sculpture lighter usb memory discount laptop memory standby home generators flexo white disc Solar Shower Camping made by straw Single-Lever Kitchen Faucet The Winged Victory of SamothraceHellenistic art is the art of the Hellenistic period and dating from 323 BCE to 146 BCE. A number of the best-known works of Greek sculpture belong to this period, Laoco?n and his Sons, Venus de Milo, and the Winged Victory of Samothrace.The term Hellenistic is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aegean, rather than the Classical Greece focused on the Poleis of Athens and Sparta, but also a huge time range. In artistic terms this means that there is huge variety which is often put under the heading of Hellenistic Art for convenience sake.There has been a trend in writing the history of this period to depict Hellenistic art as a decadent style, following of the Golden Age of Classical Athens. Pliny the Elder, after having described the sculpture of the classical period say, Cessavit deinde ars ("then art disappeared").[1] The 18th century terms Baroque and Rococo have sometimes been applied, to the art of this complex and individual period. The renewal of the historiographic approach as well as some recent discoveries, such as the tombs of Vergina, allow a better appreciation of this period's artistic richness.Contents1 Architecture 2 Sculpture 3 Paintings and mosaics 4 Ceramics 5 Minor arts 5.1 Metallic art 5.2 Terra cotta figurines 5.3 Glass and glyptic art 6 Gallery 7 See also 8 Bibliography 9 References 10 External links // ArchitecturePergamon Altar, Pergamon Museum, BerlinOne of the defining characteristics of the Hellenistic period was the division of Alexander the Great's empire into smaller dynastic empires founded by the diadochi: the Ptolemies in Egypt, the Seleucids in Mesopotamia and Syria, the Attalids in Pergamon, etc. Each of these dynasties practiced a royal patronage which differed from those of the city-states. In the architectural field, this resulted in vast urban plans and large complexes which had mostly disappeared from city-states by the 5th century BC. This city planning was quite innovative for the Greek world; rather than manipulating space by correcting its defaults, building plans conformed to the natural setting. One notes the appearance of many places of amusement and leisure, notably the multiplication of theatres and parks. The Hellenistic monarchies were advantaged in this regard in that they often had vast spaces where they could build large cities: such as Antioch, Pergamon, and Seleucia on the Tigris.Pergamon in particular is a characteristic example of Hellenistic architecture. Starting from a simple fortress located on the Acropolis, the various Attalid kings set up a colossal architectural complex. The buildings are fanned out around the Acropolis to take into account the nature of the terrain. The agora, located to the south on the lowest terrace, is bordered by galleries with colonnades or stoai. It is the beginning of a street which crosses the entire Acropolis: it separates the administrative, political and military buildings on the east and top of the rock from the sanctuaries to the west, at mid-height, among which the most prominent is that which shelters the monumental Pergamon Altar, known as "of the twelve gods" or "of the gods and of the giants", one of the masterpieces of Greek sculpture. A colossal theatre, able to contain nearly 10,000 spectators, has benches embedded in the flanks of the hill.It was the time of gigantism: thus it was for the second temple of Apollo at Didyma, situated twenty kilometers from Miletus in Ionia. It was designed by Daphnis of Miletus and Paionios of Ephesus at the end of the fourth century BC, but the construction, never completed, was carried out up until the 2nd century AD. The sanctuary is one of the largest ever constructed in the Mediterranean region: inside a vast court (21.7 metres by 53.6 metres), the cella is surrounded by a double colonnade of 108 Ionic columns nearly 20 metres tall, with richly sculpted bases and capitals.SculptureLaoco?n Group, Vatican Museums, RomeHellenistic sculpture repeats the innovations of the "second classicism": perfect sculpture-in-the-round, allowing the statue to be admired from all angles; study of draping and effects of transparency of clothing; suppleness of poses. Thus, Venus de Milo, even while echoing a classic model, is distinguished by the twist of her hips. One seeks, above all, expressivity and atmosphere. This search is particularly flagrant in the portraits: more than the precision of the traits represented, the artist seeks to represent the character of his/her subject. In the great statuary, the artist explores themes such as suffering, sleep or old age. One such is the Barberini Faun of Munich, representing a sleeping satyr with relaxed posture and anxious face,...(and so on)


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