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And you can see more from chess board pieces wholesalers cheap laptops sap for diaper indash car dvd window manufacturer virginia DVB PCI Card w cu alloy xenon hid headlight ionizer air cleaner The story cycle around Kae and Sinilau is a well known entity in Polynesian mythology, found back on several places (see notes). Kae is the Tongan version of the S?moan word ?ae, meaning "shit", of which not only a heap features in the story, but its use also made directly clear to the native listeners that Kae is the anti-hero in the epos.The third player Longopoa in this respect is an outsider.Contents1 Lo?au 2 Kae 2.1 Tonga and Tununga 2.2 Sinilau's revenge 3 Longopoa 4 Notes 5 References // Lo?auIt started all with Lo?au from Ha?amea, one of the many Lo?au known in Tongan history. Ha?amea may be the place of his lepa in central Tongatapu, or it is an alternative for S?moa (Ha?amoa in Tongan). He ran a famous navigation school on an artificial lake (lepa) near Fualu,[1] and his boat was either a tongiaki (an old sailing boat of Tongan design) or a kalia (a better, more modern design originating from Fiji).One day Lo?au got tired of people taunting him all the time when he would go for a real trip. So he had his big canoe dragged to the sea and told his mat?pule (chiefly attendants) Kae and Longopoa, to accompany him to some nearby islands. So they went. But when they passed Ha?apai, Lo?au told to 'sail on past the shore'. The same thing happened at Vava?u and then Niuatoputapu, and then S?moa, and then Niuafo?ou, and then ?Uvea, and then Futuna.[2] No one knew that Lo?au had already decided silently from the beginning to go beyond the horizon and not to return. He wanted to go to the land of the talking puko trees, probably Pulotu.The ship steered on downwards (i.e. south or west in Tongan navigation sense). They came at a white sea; they came at a floating pumice sea; they came at a slimy sea.[3] Then they reached the horizon at the end of the sky. There is a hole in the sky and a great whirlpool in the ocean, because of the waters going in when there is ebb in Tonga, and coming out at flood. There was also a reef with a pandanus tree and a large rock. The mast of the ship got stuck in the branches of the tree and was to be freed. It was done with a push, and that push caused the ship either to disappear in the whirlpool or through the opening in the sky, lost in space, never to be seen back anymore.Kae and Longopoa did not await this happening. They had agreed to desert this foolish trip and they made it back to the reef, Kae clinging to the tree, and Longopoa to the stone.KaeWhen it got dark and the flood current came out again, Kae suggested Longopoa that they better found a way to escape from the island, everybody for himself. He plunged in the sea and swam away. At midnight he landed on a sandy island; (other sources tell: many days later). He saw 8 dead whales on the shores and hundreds on neiufi fish, or (according to others) less whales but 2 huge man eating sharks, luckily also dead. It was the lair of the kanivatu a giant bird (like the roc), which was known to be a man eater too. Kae wisely hid for the night between two of the whales. The bird returned to his nest in the morning. When it was preening its feathers, Kae emerged and clung to one of its legs (or the feathers of its breast according to some, or of its wing according to some). At midday the bird flew away over the ocean, with his passenger, and when Kae saw they were over land, he let go. The place were he landed was on the coralsand beach of ?Akana (A?ana in S?moan), the western part of ?Upolu. He was friendly received by the high chief of the area, Sinilau, who gave him status, more than he ever had gotten in Tonga, but not enough to enter the kava circle.[4] So Kae stayed in S?moa for some time. But then he was seized by a longing for Tonga to tell about all the wonderful things he had seen, and he announced to Sinilau that he wanted to go. Sinilau agreed and presented him with a farewell gift. He would be allowed to ride on the back of his twin whales.Tonga and TunungaSinilau's aunt[5] had a daughter who one day ate a piece of whalemeat, which was leftover in the house. She got pregnant and bore a twin, who were named Tonga and Tununga-tofua?a (tofua?a: whale).[6] They were whales. Sinilau spoke: "Go well Kae, just tell the whales whereto to go. But leave them in deep water at the weathercoast. And when you have reached your home, before you go to your relatives, prepare a bunch of coconuts, scented oil, some unpainted tapa and a floormat, give it to them to return to me." Which was a very modest request, and Kae agreed.Kae had the trip of his life. Too soon he was back at Tongatapu, at Polo?a, where the tidal flats start, and it was just low tide. He left the whales in shallow water a speeded to Ha?amea. He told his relatives what had happened, and then shouted out to all his friends from Fatai and Matafonua and Lakepa and so on, that they came with knives and spears and axes...(and so on)
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Sunday, 3 May 2009
Floor (gymnastics)
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supply kinds of different size table linens ELEGANT TABLECLOTH moAnd you can see more from round picture frame korea folk painting candles to decorate iron board painting ps picture frames bar decoration frame window coverings curtains custom area rugs door entrance mats Brazilian gymnast Jade Barbosa performing on floor at the 2007 Pan American Games.In gymnastics, the floor refers to a specially prepared exercise surface, which is considered an apparatus. It is used by both male and female gymnasts. The event in gymnastics performed on floor is called floor exercise. The English abbreviation the for the event in gymnastics scoring is FX.Contents1 Dimensions 2 Scoring and rules 2.1 WAG 2.2 MAG 3 See also 4 External links // DimensionsMeasures of the apparatus are published by the FIG in the Apparatus Norms brochure.Length: 12metres (39ft) Width: 12metres (39ft) Additional safety border: 1metre (3.3ft) Most competitive gymnastics floors are spring floors. They contain springs and/or a rubber foam and plywood combination which make the floor bouncy, soften the impact of landings and enable the gymnast to gain height when tumbling. Floors have clearly designated perimeters--the "out of bounds" area is always indicated by a border of white tape or a differently colored mat.The allowed time for a floor exercise is up to 70 seconds for males and 90 seconds for females. Unlike men, women always perform routines to music. A Floor routine done by a female gymnast must have a variety of leaps, jumps, tumbles and turns. Where as, a male gymnast must have tumbles (front and back).Scoring and rulesWAGIn women's artistic gymnastics, floor exercise routines last between 70 and 90 seconds. The routine is choreographed in advance, and is composed of acrobatic and dance elements. This event, above all others, allows the gymnast to express her personality through her dance and musical style. It is difficult for an athlete to choose an appropriate type of music to dance and tumble to. There are many different genres to choose from, but to pick out the best for each gymnastic is a matter of matching personality and ability. As well, the moves that are choreographed in the routine must be precise, in sync with the music and entertaining.At the international elite level of competition, the composition of the routine is decided by the gymnast and her coaches. Many gyms and national federations hire special choreographers to design routines for their gymnasts. Well known gymnastics choreographers include Lisa Luke (USA), Adriana Pop (Romania, France, China), Nancy Roche (USA) and Geza Pozar (Romania, USA). Others opt to choreograph their FX routines in-house. Some gymnasts adopt a new FX every year; others keep the same routine for several competitive seasons. It is not uncommon for coaches to modify a routine's composition between meets, especially if it is used for an extended length of time. It is uncommon for gymnasts to use more than one different FX routine in the same season but it is not entirely unheard of: at the 1996 Olympics, for instance, Russian Dina Kotchetkova's routine in the FX event finals had completely different music, choreography and composition than that of her all-around exercise.The music used for the routine is also the choice of the gymnast and her coaches. It may be of any known musical style and played with any instrument(s), however, it may not include spoken words, sung lyrics or vocalization of any kind. It is the gymnast and coach's responsibility to bring the FX music to every competition on CD or cassette.Most routines include three, four, or five major tumbling passes and several major dance skills, turns and leaps. Under the Code of Points the gymnast must demonstrate skills from five required element groups, including a salto with at least 360 degrees of twist, a double salto, and front and back tumbling.Scores are based on difficulty, artistry, demonstration of required elements and overall performance quality. Deductions are taken for poor form and execution, lack of required elements, falls and other infractions. Unlike MAG, female gymnasts are permitted to end tumbling runs in a lunge position, with one foot in front of the other. The gymnast is expected to use the entire floor area for her routine, and to tumble from one corner of the mat to the other. However, steps outside the designated perimeters of the floor incur penalties. The gymnast may also get a large deduction if there are lyrics in the music, therefore, if wanting a lyrical song, the coach must take out the present lyrics.Gymnasts are permitted to chalk their hands and/or feet and to wear wrist guards on FX. In some lower levels of competition, judges may permit "sting mats"--mats that lessen impact--to be used for tumbling runs. However, these are never allowed in international contests such as the Olympics or World Championships, and, most of the time, are not seen in national elite competitions either.MAGAs with other gymnastic events, scores are based on difficulty, form, and overall...(and so on)
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supply kinds of different size table linens ELEGANT TABLECLOTH moAnd you can see more from round picture frame korea folk painting candles to decorate iron board painting ps picture frames bar decoration frame window coverings curtains custom area rugs door entrance mats Brazilian gymnast Jade Barbosa performing on floor at the 2007 Pan American Games.In gymnastics, the floor refers to a specially prepared exercise surface, which is considered an apparatus. It is used by both male and female gymnasts. The event in gymnastics performed on floor is called floor exercise. The English abbreviation the for the event in gymnastics scoring is FX.Contents1 Dimensions 2 Scoring and rules 2.1 WAG 2.2 MAG 3 See also 4 External links // DimensionsMeasures of the apparatus are published by the FIG in the Apparatus Norms brochure.Length: 12metres (39ft) Width: 12metres (39ft) Additional safety border: 1metre (3.3ft) Most competitive gymnastics floors are spring floors. They contain springs and/or a rubber foam and plywood combination which make the floor bouncy, soften the impact of landings and enable the gymnast to gain height when tumbling. Floors have clearly designated perimeters--the "out of bounds" area is always indicated by a border of white tape or a differently colored mat.The allowed time for a floor exercise is up to 70 seconds for males and 90 seconds for females. Unlike men, women always perform routines to music. A Floor routine done by a female gymnast must have a variety of leaps, jumps, tumbles and turns. Where as, a male gymnast must have tumbles (front and back).Scoring and rulesWAGIn women's artistic gymnastics, floor exercise routines last between 70 and 90 seconds. The routine is choreographed in advance, and is composed of acrobatic and dance elements. This event, above all others, allows the gymnast to express her personality through her dance and musical style. It is difficult for an athlete to choose an appropriate type of music to dance and tumble to. There are many different genres to choose from, but to pick out the best for each gymnastic is a matter of matching personality and ability. As well, the moves that are choreographed in the routine must be precise, in sync with the music and entertaining.At the international elite level of competition, the composition of the routine is decided by the gymnast and her coaches. Many gyms and national federations hire special choreographers to design routines for their gymnasts. Well known gymnastics choreographers include Lisa Luke (USA), Adriana Pop (Romania, France, China), Nancy Roche (USA) and Geza Pozar (Romania, USA). Others opt to choreograph their FX routines in-house. Some gymnasts adopt a new FX every year; others keep the same routine for several competitive seasons. It is not uncommon for coaches to modify a routine's composition between meets, especially if it is used for an extended length of time. It is uncommon for gymnasts to use more than one different FX routine in the same season but it is not entirely unheard of: at the 1996 Olympics, for instance, Russian Dina Kotchetkova's routine in the FX event finals had completely different music, choreography and composition than that of her all-around exercise.The music used for the routine is also the choice of the gymnast and her coaches. It may be of any known musical style and played with any instrument(s), however, it may not include spoken words, sung lyrics or vocalization of any kind. It is the gymnast and coach's responsibility to bring the FX music to every competition on CD or cassette.Most routines include three, four, or five major tumbling passes and several major dance skills, turns and leaps. Under the Code of Points the gymnast must demonstrate skills from five required element groups, including a salto with at least 360 degrees of twist, a double salto, and front and back tumbling.Scores are based on difficulty, artistry, demonstration of required elements and overall performance quality. Deductions are taken for poor form and execution, lack of required elements, falls and other infractions. Unlike MAG, female gymnasts are permitted to end tumbling runs in a lunge position, with one foot in front of the other. The gymnast is expected to use the entire floor area for her routine, and to tumble from one corner of the mat to the other. However, steps outside the designated perimeters of the floor incur penalties. The gymnast may also get a large deduction if there are lyrics in the music, therefore, if wanting a lyrical song, the coach must take out the present lyrics.Gymnasts are permitted to chalk their hands and/or feet and to wear wrist guards on FX. In some lower levels of competition, judges may permit "sting mats"--mats that lessen impact--to be used for tumbling runs. However, these are never allowed in international contests such as the Olympics or World Championships, and, most of the time, are not seen in national elite competitions either.MAGAs with other gymnastic events, scores are based on difficulty, form, and overall...(and so on)
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The Decoration of Houses
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High density foam it can be used in car, it can be laminated with fabrAnd you can see more from bedroom wardrobe furniture curtain rods furniture china door chest futon sleeper sofa cabinet bathroom furniture glass hardware furniture training laboratory furniture table tennies table wholesale floral foam The Decoration of Houses The Decoration of Houses, 1898 editionAuthorEdith WhartonCountryUnited StatesLanguageEnglishGenre(s)interior designPublisherB.T. BatsfordPublication date1898Media typePrint (Hardback)Pages204ISBN978-0847829163 (2007 Rizzoli reprint)The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman in 1898. They denounced Victorian interior decoration and interior design for having rooms heavily curtained with Victorian bric-a-brac and filled with overstuffed furniture. This resulted in poorly planned and arranged rooms that were uncomfortable and that people did not enjoy and therefore rarely used. Codman and Wharton advocated the creation of houses based on the noble European tradition of strong architecture accentuated by furniture that suits the room. Wharton said rooms should be based on simple, classical design principles, such as symmetry, and proportion; and that a sense of balance in architecture is needed. The book was a great success, and led emergence of professional decorators working in such a manner, such as Elsie de Wolfe.[1] The Decoration of Houses is a seminal work on the construction and decoration of sensible, comfortable, attractive rooms within a home. It was reprinted by The Mount and Rizzoli and in a hardcover facsimile in 2007.ConceptsWharton and Ogden wrote 198 pages divided into sixteen chapters. The first few chapters focus on the importance of balance, symmetry and good use of space, while later chapters have to do with the specific use of rooms and how rooms ought to be arranged in order to ensure optimal comfort and usefulness.Wharton and Ogden were very fond of past styles of furniture in comparison with the upstart Victorian furnishings surrounding them. Much preferring simplicity and order in decoration, they warned readers not to mix and match styles of furniture eclectically. They also preferred the use of less detail, looking down on the Victorian love for clutter and busy wallpapers and fabrics.See alsoThe Mount (Lenox, Massachusetts) Victorian decorative arts External linksHome Decor from Washington post The Decoration of Houses(full text) University of Wisconsin Digital Library Connection to Arts and Crafts movement Categories: 1898 books Interior design Works by Edith Wharton(and so on)
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High density foam it can be used in car, it can be laminated with fabrAnd you can see more from bedroom wardrobe furniture curtain rods furniture china door chest futon sleeper sofa cabinet bathroom furniture glass hardware furniture training laboratory furniture table tennies table wholesale floral foam The Decoration of Houses The Decoration of Houses, 1898 editionAuthorEdith WhartonCountryUnited StatesLanguageEnglishGenre(s)interior designPublisherB.T. BatsfordPublication date1898Media typePrint (Hardback)Pages204ISBN978-0847829163 (2007 Rizzoli reprint)The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman in 1898. They denounced Victorian interior decoration and interior design for having rooms heavily curtained with Victorian bric-a-brac and filled with overstuffed furniture. This resulted in poorly planned and arranged rooms that were uncomfortable and that people did not enjoy and therefore rarely used. Codman and Wharton advocated the creation of houses based on the noble European tradition of strong architecture accentuated by furniture that suits the room. Wharton said rooms should be based on simple, classical design principles, such as symmetry, and proportion; and that a sense of balance in architecture is needed. The book was a great success, and led emergence of professional decorators working in such a manner, such as Elsie de Wolfe.[1] The Decoration of Houses is a seminal work on the construction and decoration of sensible, comfortable, attractive rooms within a home. It was reprinted by The Mount and Rizzoli and in a hardcover facsimile in 2007.ConceptsWharton and Ogden wrote 198 pages divided into sixteen chapters. The first few chapters focus on the importance of balance, symmetry and good use of space, while later chapters have to do with the specific use of rooms and how rooms ought to be arranged in order to ensure optimal comfort and usefulness.Wharton and Ogden were very fond of past styles of furniture in comparison with the upstart Victorian furnishings surrounding them. Much preferring simplicity and order in decoration, they warned readers not to mix and match styles of furniture eclectically. They also preferred the use of less detail, looking down on the Victorian love for clutter and busy wallpapers and fabrics.See alsoThe Mount (Lenox, Massachusetts) Victorian decorative arts External linksHome Decor from Washington post The Decoration of Houses(full text) University of Wisconsin Digital Library Connection to Arts and Crafts movement Categories: 1898 books Interior design Works by Edith Wharton(and so on)
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Nokia 5500 Sport
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Place of Origin: China Zhejiang Bulb Type: LED Power Supply: Dry Battery Model No:..And you can see more from poultry house lights xenon hid lights led gift lights LCD LED Backlight Dot Matrix LED blue strobe lights led alarming lights solar sign lights migmag welding torches Nokia 5500 SportScreen31 x 31 mm / 3.1 x 3.1 cm, 18 bit 208 x 208 pixelsMemory8 MB (internal) + MicroSD Memory CardNetworksGSM 900/1800/1900 MHzConnectivityUSB Mass Storage via Pop-Port, Bluetooth 2.0, InfraredPhysical size107 mm x 45 mm x 18 mm (L x W x T)Weight103 grams (including battery)Nokia 5500 Sport is one of the third edition, Nokia S60 platform (S60v3) mobile phones with version 9.1 of the Symbian operating system. It is not binary compatible with software compiled for earlier versions of the Symbian operating system. This was the first Nokia handset ever to feature text to speech and motion sensor features.In addition to Contacts, Messaging, Calendar, and Gallery applications, the Nokia 5500 also includes a view-only Office suite and PDF Viewer.Differentiating features include:Built-in 3D accelerometer: allows phone to act as pedometer/step counter. Swap key for quick one-key switching between phone, music, and sports modes. Stainless steel body: Built to resist knocks, dust and water splashes. Text to speech: Software to read aloud SMS and exercise data. Sports tracking: plans, records, and schedules workout sessions. Music: Unique tap commands for playing MP3 files. Integrated 2-megapixel camera with 4x digital zoom. Contents1 Nokia 5500 Sport Music / XpressMusic 2 Specifications Sheet 3 Known Issues 4 See also 5 References 6 External links 6.1 Reviews, Photos & Videos // Nokia 5500 Sport Music / XpressMusicNokia 5500 Sport Music or XpressMusic is the music variant model of the Nokia 5500 Sport Model in different color scheme. Its sales package includes added accessories, such as a higher capacity memory card, bike mount and shoulder bag. Apart from that its identical hardware wise to the Nokia 5500 Sport Edition.Specifications SheetFeatureSpecificationForm factorBar / monoblockWeight103 grams (including battery)Dimensions107 mm x 45 mm x 18 mm (L x W x T)Volume77 ccTalk time4 hoursStandby time270 hours (Up to 10 days)BatteryLi-Ion BL-5B 860 mAhOperating SystemSymbian OS (9.1) + Series 60 v3GSM frequenciesGSM 900/1800/1900 MHzGPRSYes, GPRS multislot class 10, up to 62.4 kbit/sEDGE (EGPRS)Yes, EDGE multislot class 10, up to 236.8 kbit/s3GNoUMTS/WCDMANoWLAN/WiFiNoScreen Size31 x 31 mm / 3.1 x 3.1 cmScreen Resolution208 x 208 pixelsFlash Light TorchYesCamera2.0 megapixel, 4x digital zoom (1600 x 1200, 1152 x 864, 640 x 480 pixels)Video recordingYes, QCIF (176 x 144 pixels), sub-QCIF (128 x 96 pixels)Voice recordingYesText to SpeechYes, SMS and exercise data read out loudMultimedia MessagingYesVideo callsNoPush to talkYes (Push to Talk over Cellular - PoC)Java supportYes, MIDP 2.0Built-in memory8 MBMemory card slotYes, microSD (Expandable up to 2 GB[1])Hot Swappable Memory card slotNoBluetoothYes, Bluetooth 2.0 + EDR (Enhanced Data Rate)InfraredYesUSB Mass Storage class supportYes, via Pop-PortData cable supportYesBrowserWAP 2.0 XHTML / HTML. Comes standard with a full Web browserEmailYesMusic playerYes, stereo, MP3, AAC, AAC, eAAC and WMA playback supportRadioYes, FM Stereo with Visual Radio clientVideo PlayerYesStereo SpeakersYesRingtonesYes, Monophonic, Polyphonic, True Tones and MP3VibrateYesHandsfree SpeakerYesOffline/Flight modeYesReleasedQ3 2006SynchronizationPC: Nokia PC Suite, Over the Air: SyncMLKnown IssuesSome users have complained on the Nokia Support Discussions Board that the Nokia 5500 keypad gets unglued only after a few weeks of light usage, however later release models appear to have had this problem fixed [2] [3].See alsoList of Nokia products Nokia Series 60 Smartphone Symbian References^ Nokia Accessories Page for 2 GB MicroSD Card ^ Nokia Support Discussions - Keypad Peeling Discussion 1 ^ Nokia Support Discussions - Keypad Peeling Discussion 2 External linksNokia 5500 Sport Official Product page Nokia 5500 Sport - Device Details Nokia 5500 Sport - Resource Information Nokia 5500 Sport - Phone support Nokia 5500 Sport XpressMusic - Promotional Campaign Reviews, Photos &...(and so on)
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Place of Origin: China Zhejiang Bulb Type: LED Power Supply: Dry Battery Model No:..And you can see more from poultry house lights xenon hid lights led gift lights LCD LED Backlight Dot Matrix LED blue strobe lights led alarming lights solar sign lights migmag welding torches Nokia 5500 SportScreen31 x 31 mm / 3.1 x 3.1 cm, 18 bit 208 x 208 pixelsMemory8 MB (internal) + MicroSD Memory CardNetworksGSM 900/1800/1900 MHzConnectivityUSB Mass Storage via Pop-Port, Bluetooth 2.0, InfraredPhysical size107 mm x 45 mm x 18 mm (L x W x T)Weight103 grams (including battery)Nokia 5500 Sport is one of the third edition, Nokia S60 platform (S60v3) mobile phones with version 9.1 of the Symbian operating system. It is not binary compatible with software compiled for earlier versions of the Symbian operating system. This was the first Nokia handset ever to feature text to speech and motion sensor features.In addition to Contacts, Messaging, Calendar, and Gallery applications, the Nokia 5500 also includes a view-only Office suite and PDF Viewer.Differentiating features include:Built-in 3D accelerometer: allows phone to act as pedometer/step counter. Swap key for quick one-key switching between phone, music, and sports modes. Stainless steel body: Built to resist knocks, dust and water splashes. Text to speech: Software to read aloud SMS and exercise data. Sports tracking: plans, records, and schedules workout sessions. Music: Unique tap commands for playing MP3 files. Integrated 2-megapixel camera with 4x digital zoom. Contents1 Nokia 5500 Sport Music / XpressMusic 2 Specifications Sheet 3 Known Issues 4 See also 5 References 6 External links 6.1 Reviews, Photos & Videos // Nokia 5500 Sport Music / XpressMusicNokia 5500 Sport Music or XpressMusic is the music variant model of the Nokia 5500 Sport Model in different color scheme. Its sales package includes added accessories, such as a higher capacity memory card, bike mount and shoulder bag. Apart from that its identical hardware wise to the Nokia 5500 Sport Edition.Specifications SheetFeatureSpecificationForm factorBar / monoblockWeight103 grams (including battery)Dimensions107 mm x 45 mm x 18 mm (L x W x T)Volume77 ccTalk time4 hoursStandby time270 hours (Up to 10 days)BatteryLi-Ion BL-5B 860 mAhOperating SystemSymbian OS (9.1) + Series 60 v3GSM frequenciesGSM 900/1800/1900 MHzGPRSYes, GPRS multislot class 10, up to 62.4 kbit/sEDGE (EGPRS)Yes, EDGE multislot class 10, up to 236.8 kbit/s3GNoUMTS/WCDMANoWLAN/WiFiNoScreen Size31 x 31 mm / 3.1 x 3.1 cmScreen Resolution208 x 208 pixelsFlash Light TorchYesCamera2.0 megapixel, 4x digital zoom (1600 x 1200, 1152 x 864, 640 x 480 pixels)Video recordingYes, QCIF (176 x 144 pixels), sub-QCIF (128 x 96 pixels)Voice recordingYesText to SpeechYes, SMS and exercise data read out loudMultimedia MessagingYesVideo callsNoPush to talkYes (Push to Talk over Cellular - PoC)Java supportYes, MIDP 2.0Built-in memory8 MBMemory card slotYes, microSD (Expandable up to 2 GB[1])Hot Swappable Memory card slotNoBluetoothYes, Bluetooth 2.0 + EDR (Enhanced Data Rate)InfraredYesUSB Mass Storage class supportYes, via Pop-PortData cable supportYesBrowserWAP 2.0 XHTML / HTML. Comes standard with a full Web browserEmailYesMusic playerYes, stereo, MP3, AAC, AAC, eAAC and WMA playback supportRadioYes, FM Stereo with Visual Radio clientVideo PlayerYesStereo SpeakersYesRingtonesYes, Monophonic, Polyphonic, True Tones and MP3VibrateYesHandsfree SpeakerYesOffline/Flight modeYesReleasedQ3 2006SynchronizationPC: Nokia PC Suite, Over the Air: SyncMLKnown IssuesSome users have complained on the Nokia Support Discussions Board that the Nokia 5500 keypad gets unglued only after a few weeks of light usage, however later release models appear to have had this problem fixed [2] [3].See alsoList of Nokia products Nokia Series 60 Smartphone Symbian References^ Nokia Accessories Page for 2 GB MicroSD Card ^ Nokia Support Discussions - Keypad Peeling Discussion 1 ^ Nokia Support Discussions - Keypad Peeling Discussion 2 External linksNokia 5500 Sport Official Product page Nokia 5500 Sport - Device Details Nokia 5500 Sport - Resource Information Nokia 5500 Sport - Phone support Nokia 5500 Sport XpressMusic - Promotional Campaign Reviews, Photos &...(and so on)
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Low-K
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And you can see more from childrens polo coats microcurrent face lift handspring visor pda er yag laser ethernet cable hub polish glass; vases large canvas print sweet sorghum seed GPS Marine Antenna (Redirected from Low-k)In semiconductor manufacturing, a Low-? dielectric is a material with a small dielectric constant relative to silicon dioxide. Although the proper symbol for the dielectric constant is the Greek letter ? (kappa), in conversation such materials are referred to as being "low-k" (low-kay) rather than "low-?" (low-kappa). Low-? dielectric material implementation is one of several strategies used to allow continued scaling of microelectronic devices, colloquially referred to as extending Moore's law. In digital circuits, insulating dielectrics separate the conducting parts (wire interconnects and transistors) from one another. As components have scaled and transistors have gotten closer and closer together, the insulating dielectrics have thinned to the point where charge build up and crosstalk adversely affect the performance of the device. Replacing the silicon dioxide with a low-? dielectric of the same thickness reduces parasitic capacitance, enabling faster switching speeds and lower heat dissipation.Contents1 Low-? Materials 1.1 Fluorine Doped Silicon Dioxide 1.2 Carbon Doped Silicon Dioxide 1.3 Porous Silicon Dioxide 1.4 Porous Carbon doped Silicon Dioxide 1.5 Spin-on organic polymeric dielectrics 1.5.1 Porous SiLK 1.6 Spin-on silicone based polymeric dielectric 2 See also 3 References 4 External links // Low-? MaterialsThe dielectric constant of SiO2, the insulating material used in silicon chips, is 3.9. There are many materials with lower dielectric constants but few of them can be suitably integrated into a manufacturing process. Development efforts have focused primarily on three classes of materials:Fluorine Doped Silicon DioxideBy doping SiO2 with fluorine to produce fluorinated silica glass, the dielectric constant is lowered from 3.9 to 3.5. [1]Carbon Doped Silicon DioxideBy doping SiO2 with carbon, the dielectric constant can be lowered to 3.0. Major products of carbon doped silicon dioxide include Black Diamond from Applied Materials, [2] Aurora from ASM International N.V.. [3] The Aurora is the low-K material used in Intel 90nm, 65nm and 45nm lines, while the Black Diamond controlled about 80% of low-K material market. [4] Novellus Systems' Coral also falls in this category.Porous Silicon DioxideVarious methods may be employed to create large voids or pores in a silicon dioxide dielectric. Air has a dielectric constant of roughly 1.0005, thus the dielectric constant of the porous material may be reduced by increasing the porosity of the film. Dielectric constants lower than 2.0 have been reported. Integration difficulties related to porous silicon dioxide implementation include low mechanical strength and difficult integration with etch and polish processes.Porous Carbon doped Silicon DioxideBy UV curing, floating methyl group in carbon doped silicon dioxide can be eliminated and pores can be introduced to the carbon doped silicon dioxide low-K materials. Products in this category include Black Diamond II, [2] Aurora 2.7 and Aurora ULK. [3] The reported K value can be as low as 2.5.Spin-on organic polymeric dielectricsPolymeric dielectrics are generally deposited by a spin-on approach, such as those traditionally used to deposit photoresist, rather than chemical vapor deposition. Integration difficulties include low mechanical strength and thermal stability. SiLK from Dow Chemical is a well known example of low-K material in this category. [5] Other spin-on organic low-K include polyimide, polynorbornenes, Benzocyclobutene, PTFE.Porous SiLKBy introducing pores into the SiLK resin, the dielectric constant value can be lowered to 2.2. [6]Spin-on silicone based polymeric dielectricThere are two kinds of silicone based polymeric dielectric materials, hydrogen silsesquioxane (HSQ) and methylsilsesquioxane (MSQ).See alsoHigh-k Relative static permittivity References^ ScienceDirect - Microelectronic Engineering ^ a b Applied Materials, Inc. - Applied Producer Black Diamond PECVD ^ a b Low-k Bursts Into the Mainstream...Incrementally - 5/1/2005 - Semiconductor International ^ ASM International continues low-k dielectric relationship with Intel through 32nm node - Fabtech - The online information source for semiconductor professionals ^ SiLK ^ Why Porous SiLK? External linksNasa on Low-k The evolution of interconnect technology for silicon integrated circuitry Categories: Semiconductors Materials science(and so on)
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And you can see more from childrens polo coats microcurrent face lift handspring visor pda er yag laser ethernet cable hub polish glass; vases large canvas print sweet sorghum seed GPS Marine Antenna (Redirected from Low-k)In semiconductor manufacturing, a Low-? dielectric is a material with a small dielectric constant relative to silicon dioxide. Although the proper symbol for the dielectric constant is the Greek letter ? (kappa), in conversation such materials are referred to as being "low-k" (low-kay) rather than "low-?" (low-kappa). Low-? dielectric material implementation is one of several strategies used to allow continued scaling of microelectronic devices, colloquially referred to as extending Moore's law. In digital circuits, insulating dielectrics separate the conducting parts (wire interconnects and transistors) from one another. As components have scaled and transistors have gotten closer and closer together, the insulating dielectrics have thinned to the point where charge build up and crosstalk adversely affect the performance of the device. Replacing the silicon dioxide with a low-? dielectric of the same thickness reduces parasitic capacitance, enabling faster switching speeds and lower heat dissipation.Contents1 Low-? Materials 1.1 Fluorine Doped Silicon Dioxide 1.2 Carbon Doped Silicon Dioxide 1.3 Porous Silicon Dioxide 1.4 Porous Carbon doped Silicon Dioxide 1.5 Spin-on organic polymeric dielectrics 1.5.1 Porous SiLK 1.6 Spin-on silicone based polymeric dielectric 2 See also 3 References 4 External links // Low-? MaterialsThe dielectric constant of SiO2, the insulating material used in silicon chips, is 3.9. There are many materials with lower dielectric constants but few of them can be suitably integrated into a manufacturing process. Development efforts have focused primarily on three classes of materials:Fluorine Doped Silicon DioxideBy doping SiO2 with fluorine to produce fluorinated silica glass, the dielectric constant is lowered from 3.9 to 3.5. [1]Carbon Doped Silicon DioxideBy doping SiO2 with carbon, the dielectric constant can be lowered to 3.0. Major products of carbon doped silicon dioxide include Black Diamond from Applied Materials, [2] Aurora from ASM International N.V.. [3] The Aurora is the low-K material used in Intel 90nm, 65nm and 45nm lines, while the Black Diamond controlled about 80% of low-K material market. [4] Novellus Systems' Coral also falls in this category.Porous Silicon DioxideVarious methods may be employed to create large voids or pores in a silicon dioxide dielectric. Air has a dielectric constant of roughly 1.0005, thus the dielectric constant of the porous material may be reduced by increasing the porosity of the film. Dielectric constants lower than 2.0 have been reported. Integration difficulties related to porous silicon dioxide implementation include low mechanical strength and difficult integration with etch and polish processes.Porous Carbon doped Silicon DioxideBy UV curing, floating methyl group in carbon doped silicon dioxide can be eliminated and pores can be introduced to the carbon doped silicon dioxide low-K materials. Products in this category include Black Diamond II, [2] Aurora 2.7 and Aurora ULK. [3] The reported K value can be as low as 2.5.Spin-on organic polymeric dielectricsPolymeric dielectrics are generally deposited by a spin-on approach, such as those traditionally used to deposit photoresist, rather than chemical vapor deposition. Integration difficulties include low mechanical strength and thermal stability. SiLK from Dow Chemical is a well known example of low-K material in this category. [5] Other spin-on organic low-K include polyimide, polynorbornenes, Benzocyclobutene, PTFE.Porous SiLKBy introducing pores into the SiLK resin, the dielectric constant value can be lowered to 2.2. [6]Spin-on silicone based polymeric dielectricThere are two kinds of silicone based polymeric dielectric materials, hydrogen silsesquioxane (HSQ) and methylsilsesquioxane (MSQ).See alsoHigh-k Relative static permittivity References^ ScienceDirect - Microelectronic Engineering ^ a b Applied Materials, Inc. - Applied Producer Black Diamond PECVD ^ a b Low-k Bursts Into the Mainstream...Incrementally - 5/1/2005 - Semiconductor International ^ ASM International continues low-k dielectric relationship with Intel through 32nm node - Fabtech - The online information source for semiconductor professionals ^ SiLK ^ Why Porous SiLK? External linksNasa on Low-k The evolution of interconnect technology for silicon integrated circuitry Categories: Semiconductors Materials science(and so on)
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Kae and Longopoa
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And you can see more from chess board pieces wholesalers cheap laptops sap for diaper indash car dvd window manufacturer virginia DVB PCI Card w cu alloy xenon hid headlight ionizer air cleaner The story cycle around Kae and Sinilau is a well known entity in Polynesian mythology, found back on several places (see notes). Kae is the Tongan version of the S?moan word ?ae, meaning "shit", of which not only a heap features in the story, but its use also made directly clear to the native listeners that Kae is the anti-hero in the epos.The third player Longopoa in this respect is an outsider.Contents1 Lo?au 2 Kae 2.1 Tonga and Tununga 2.2 Sinilau's revenge 3 Longopoa 4 Notes 5 References // Lo?auIt started all with Lo?au from Ha?amea, one of the many Lo?au known in Tongan history. Ha?amea may be the place of his lepa in central Tongatapu, or it is an alternative for S?moa (Ha?amoa in Tongan). He ran a famous navigation school on an artificial lake (lepa) near Fualu,[1] and his boat was either a tongiaki (an old sailing boat of Tongan design) or a kalia (a better, more modern design originating from Fiji).One day Lo?au got tired of people taunting him all the time when he would go for a real trip. So he had his big canoe dragged to the sea and told his mat?pule (chiefly attendants) Kae and Longopoa, to accompany him to some nearby islands. So they went. But when they passed Ha?apai, Lo?au told to 'sail on past the shore'. The same thing happened at Vava?u and then Niuatoputapu, and then S?moa, and then Niuafo?ou, and then ?Uvea, and then Futuna.[2] No one knew that Lo?au had already decided silently from the beginning to go beyond the horizon and not to return. He wanted to go to the land of the talking puko trees, probably Pulotu.The ship steered on downwards (i.e. south or west in Tongan navigation sense). They came at a white sea; they came at a floating pumice sea; they came at a slimy sea.[3] Then they reached the horizon at the end of the sky. There is a hole in the sky and a great whirlpool in the ocean, because of the waters going in when there is ebb in Tonga, and coming out at flood. There was also a reef with a pandanus tree and a large rock. The mast of the ship got stuck in the branches of the tree and was to be freed. It was done with a push, and that push caused the ship either to disappear in the whirlpool or through the opening in the sky, lost in space, never to be seen back anymore.Kae and Longopoa did not await this happening. They had agreed to desert this foolish trip and they made it back to the reef, Kae clinging to the tree, and Longopoa to the stone.KaeWhen it got dark and the flood current came out again, Kae suggested Longopoa that they better found a way to escape from the island, everybody for himself. He plunged in the sea and swam away. At midnight he landed on a sandy island; (other sources tell: many days later). He saw 8 dead whales on the shores and hundreds on neiufi fish, or (according to others) less whales but 2 huge man eating sharks, luckily also dead. It was the lair of the kanivatu a giant bird (like the roc), which was known to be a man eater too. Kae wisely hid for the night between two of the whales. The bird returned to his nest in the morning. When it was preening its feathers, Kae emerged and clung to one of its legs (or the feathers of its breast according to some, or of its wing according to some). At midday the bird flew away over the ocean, with his passenger, and when Kae saw they were over land, he let go. The place were he landed was on the coralsand beach of ?Akana (A?ana in S?moan), the western part of ?Upolu. He was friendly received by the high chief of the area, Sinilau, who gave him status, more than he ever had gotten in Tonga, but not enough to enter the kava circle.[4] So Kae stayed in S?moa for some time. But then he was seized by a longing for Tonga to tell about all the wonderful things he had seen, and he announced to Sinilau that he wanted to go. Sinilau agreed and presented him with a farewell gift. He would be allowed to ride on the back of his twin whales.Tonga and TunungaSinilau's aunt[5] had a daughter who one day ate a piece of whalemeat, which was leftover in the house. She got pregnant and bore a twin, who were named Tonga and Tununga-tofua?a (tofua?a: whale).[6] They were whales. Sinilau spoke: "Go well Kae, just tell the whales whereto to go. But leave them in deep water at the weathercoast. And when you have reached your home, before you go to your relatives, prepare a bunch of coconuts, scented oil, some unpainted tapa and a floormat, give it to them to return to me." Which was a very modest request, and Kae agreed.Kae had the trip of his life. Too soon he was back at Tongatapu, at Polo?a, where the tidal flats start, and it was just low tide. He left the whales in shallow water a speeded to Ha?amea. He told his relatives what had happened, and then shouted out to all his friends from Fatai and Matafonua and Lakepa and so on, that they came with knives and spears and axes...(and so on)
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And you can see more from chess board pieces wholesalers cheap laptops sap for diaper indash car dvd window manufacturer virginia DVB PCI Card w cu alloy xenon hid headlight ionizer air cleaner The story cycle around Kae and Sinilau is a well known entity in Polynesian mythology, found back on several places (see notes). Kae is the Tongan version of the S?moan word ?ae, meaning "shit", of which not only a heap features in the story, but its use also made directly clear to the native listeners that Kae is the anti-hero in the epos.The third player Longopoa in this respect is an outsider.Contents1 Lo?au 2 Kae 2.1 Tonga and Tununga 2.2 Sinilau's revenge 3 Longopoa 4 Notes 5 References // Lo?auIt started all with Lo?au from Ha?amea, one of the many Lo?au known in Tongan history. Ha?amea may be the place of his lepa in central Tongatapu, or it is an alternative for S?moa (Ha?amoa in Tongan). He ran a famous navigation school on an artificial lake (lepa) near Fualu,[1] and his boat was either a tongiaki (an old sailing boat of Tongan design) or a kalia (a better, more modern design originating from Fiji).One day Lo?au got tired of people taunting him all the time when he would go for a real trip. So he had his big canoe dragged to the sea and told his mat?pule (chiefly attendants) Kae and Longopoa, to accompany him to some nearby islands. So they went. But when they passed Ha?apai, Lo?au told to 'sail on past the shore'. The same thing happened at Vava?u and then Niuatoputapu, and then S?moa, and then Niuafo?ou, and then ?Uvea, and then Futuna.[2] No one knew that Lo?au had already decided silently from the beginning to go beyond the horizon and not to return. He wanted to go to the land of the talking puko trees, probably Pulotu.The ship steered on downwards (i.e. south or west in Tongan navigation sense). They came at a white sea; they came at a floating pumice sea; they came at a slimy sea.[3] Then they reached the horizon at the end of the sky. There is a hole in the sky and a great whirlpool in the ocean, because of the waters going in when there is ebb in Tonga, and coming out at flood. There was also a reef with a pandanus tree and a large rock. The mast of the ship got stuck in the branches of the tree and was to be freed. It was done with a push, and that push caused the ship either to disappear in the whirlpool or through the opening in the sky, lost in space, never to be seen back anymore.Kae and Longopoa did not await this happening. They had agreed to desert this foolish trip and they made it back to the reef, Kae clinging to the tree, and Longopoa to the stone.KaeWhen it got dark and the flood current came out again, Kae suggested Longopoa that they better found a way to escape from the island, everybody for himself. He plunged in the sea and swam away. At midnight he landed on a sandy island; (other sources tell: many days later). He saw 8 dead whales on the shores and hundreds on neiufi fish, or (according to others) less whales but 2 huge man eating sharks, luckily also dead. It was the lair of the kanivatu a giant bird (like the roc), which was known to be a man eater too. Kae wisely hid for the night between two of the whales. The bird returned to his nest in the morning. When it was preening its feathers, Kae emerged and clung to one of its legs (or the feathers of its breast according to some, or of its wing according to some). At midday the bird flew away over the ocean, with his passenger, and when Kae saw they were over land, he let go. The place were he landed was on the coralsand beach of ?Akana (A?ana in S?moan), the western part of ?Upolu. He was friendly received by the high chief of the area, Sinilau, who gave him status, more than he ever had gotten in Tonga, but not enough to enter the kava circle.[4] So Kae stayed in S?moa for some time. But then he was seized by a longing for Tonga to tell about all the wonderful things he had seen, and he announced to Sinilau that he wanted to go. Sinilau agreed and presented him with a farewell gift. He would be allowed to ride on the back of his twin whales.Tonga and TunungaSinilau's aunt[5] had a daughter who one day ate a piece of whalemeat, which was leftover in the house. She got pregnant and bore a twin, who were named Tonga and Tununga-tofua?a (tofua?a: whale).[6] They were whales. Sinilau spoke: "Go well Kae, just tell the whales whereto to go. But leave them in deep water at the weathercoast. And when you have reached your home, before you go to your relatives, prepare a bunch of coconuts, scented oil, some unpainted tapa and a floormat, give it to them to return to me." Which was a very modest request, and Kae agreed.Kae had the trip of his life. Too soon he was back at Tongatapu, at Polo?a, where the tidal flats start, and it was just low tide. He left the whales in shallow water a speeded to Ha?amea. He told his relatives what had happened, and then shouted out to all his friends from Fatai and Matafonua and Lakepa and so on, that they came with knives and spears and axes...(and so on)
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Libyan Cement Company
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And you can see more from discount on cruise infant car seat q switcher laser body infrared massager Natural Rose Oil copper ore zinc fott treatment fish ATI Mobility Radeon pneumatic vavlecold shear Libyan Cement CompanyTypePublicFounded1972HeadquartersBenghazi, LibyaKey peopleHassan Hamed Bokzam (Secretary)IndustryCementProductsConstructionReady-mix concreteGypsumLimeThe Libyan Cement Company (LCC) has three cement-producing factories producing 2.8 million t/yr and a fourth plant producing cement packaging. The entire production is consumed by the local market, including 2,500 tons of cement a day used in the manufacture of pipeline for the Great Manmade River Project (GMMR).Contents1 Background 2 Domestic consumption and limitations 3 Future plans 4 Notes 5 References // BackgroundThe Libyan Cement Company started production in 1972 with one factory. The production capacity for ordinary Portland cement was 200,000 t/yr. In 1974, a new production line was added with a capacity of 400,000 t/yr. A third production line was built in 1977 with a 400,000 ton capacity, which brought production to 1 million t/yr of ordinary Portland cement. However, the first factory stopped production due to maintenance problems. As of 2007, the Benghazi plant produces 800,000 t/yr. The Hawari plant, which was established in 1978 to produce 1,000,000 t/yr. In 1987, adjustments were made to the Hawari plant production lines to produce sulphate-resistant cement, which is suitable for construction of the GMMR. The El-Fatayah factory was established in 1982 with two production lines having a 1,000,000 t/yr capacity of ordinary Portland cement. This factory is located 350 km east of Benghazi, near Dherna. In 2001, the Libyan Government proposed a number of state company projects for which joint ventures would be considered. These included an expansion of Libyan Cement El-Fatayah cement plant, costing $166 million.[1] LCC also has a factory that produces the cement packaging, which was established in 1975; as it stands today, the factory produces 200,000 bags per day.Domestic consumption and limitationsAll of LCC cement production is domestically consumed, with market demand exceeding LCC capacity. Demand for cement is very high; for building and construction, like the GMMR, which consumed an estimated 8,000,000 tones of the sulphate-resistant cement. Currently, a major problem for the company is ageing production lines needing renovation, replacement and maintenance. As it stands, LCC is producing 50% of capacity. There is the possibility of exporting cement at the clinker stage, which was done in the past with a few neighboring countries.Future plansLCC plans to increase existing production capacity through cooperation with foreign partners. The company long-term goals include exporting cement to Europe, especially since many European countries are increasingly dismantling cement factories due to environmental concerns. LCC could also export cement to other African countries. However, the main problem with exporting cement to the rest of the continent is the high costs along the Sahara trade route.Notes^ P. Mobbs (2001) ReferencesJ.M. Cowan (1994), The Hans Wehr Dictionary of Modern Written Arabic Philip M. Mobbs (1998), The Mineral Industry of Libya Philip M. Mobbs (2001), The Mineral Industry of Libya Philip M. Mobbs (2005), Minerals Yearbook: Libya, USGS Categories: Companies of Libya Cement companies of Libya Cement companies(and so on)
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And you can see more from discount on cruise infant car seat q switcher laser body infrared massager Natural Rose Oil copper ore zinc fott treatment fish ATI Mobility Radeon pneumatic vavlecold shear Libyan Cement CompanyTypePublicFounded1972HeadquartersBenghazi, LibyaKey peopleHassan Hamed Bokzam (Secretary)IndustryCementProductsConstructionReady-mix concreteGypsumLimeThe Libyan Cement Company (LCC) has three cement-producing factories producing 2.8 million t/yr and a fourth plant producing cement packaging. The entire production is consumed by the local market, including 2,500 tons of cement a day used in the manufacture of pipeline for the Great Manmade River Project (GMMR).Contents1 Background 2 Domestic consumption and limitations 3 Future plans 4 Notes 5 References // BackgroundThe Libyan Cement Company started production in 1972 with one factory. The production capacity for ordinary Portland cement was 200,000 t/yr. In 1974, a new production line was added with a capacity of 400,000 t/yr. A third production line was built in 1977 with a 400,000 ton capacity, which brought production to 1 million t/yr of ordinary Portland cement. However, the first factory stopped production due to maintenance problems. As of 2007, the Benghazi plant produces 800,000 t/yr. The Hawari plant, which was established in 1978 to produce 1,000,000 t/yr. In 1987, adjustments were made to the Hawari plant production lines to produce sulphate-resistant cement, which is suitable for construction of the GMMR. The El-Fatayah factory was established in 1982 with two production lines having a 1,000,000 t/yr capacity of ordinary Portland cement. This factory is located 350 km east of Benghazi, near Dherna. In 2001, the Libyan Government proposed a number of state company projects for which joint ventures would be considered. These included an expansion of Libyan Cement El-Fatayah cement plant, costing $166 million.[1] LCC also has a factory that produces the cement packaging, which was established in 1975; as it stands today, the factory produces 200,000 bags per day.Domestic consumption and limitationsAll of LCC cement production is domestically consumed, with market demand exceeding LCC capacity. Demand for cement is very high; for building and construction, like the GMMR, which consumed an estimated 8,000,000 tones of the sulphate-resistant cement. Currently, a major problem for the company is ageing production lines needing renovation, replacement and maintenance. As it stands, LCC is producing 50% of capacity. There is the possibility of exporting cement at the clinker stage, which was done in the past with a few neighboring countries.Future plansLCC plans to increase existing production capacity through cooperation with foreign partners. The company long-term goals include exporting cement to Europe, especially since many European countries are increasingly dismantling cement factories due to environmental concerns. LCC could also export cement to other African countries. However, the main problem with exporting cement to the rest of the continent is the high costs along the Sahara trade route.Notes^ P. Mobbs (2001) ReferencesJ.M. Cowan (1994), The Hans Wehr Dictionary of Modern Written Arabic Philip M. Mobbs (1998), The Mineral Industry of Libya Philip M. Mobbs (2001), The Mineral Industry of Libya Philip M. Mobbs (2005), Minerals Yearbook: Libya, USGS Categories: Companies of Libya Cement companies of Libya Cement companies(and so on)
You can also see some feature products :teen boys fashion ladies hair roller powered go karts howard miller clock weight lose massager glass steel tank orinary portland cement the warning chain Manual Spray Gun free job post bamboo reed diffuser examination gloves vinyl drill and mill keel roller mill juice cream cheese custom school socks non ferrous minerals minimoto go kart guardian diesel generators fashion belt manufactures electric neck massager trader joes portland stamps for concrete trinity portland cement quality portland cement volvo dealer portland truck mounted concrete icumsa45 sugar cement portland ordinary cement 42.5 nr cement pre fab concrete round silica sand silicon dioxide sand sell of cement imports of cement 2523 portland cement cement portlan clinker british standard cement pump for sand castables low cement 32.5r portland cement high alumina clinker cement portland cement dry bulk cement rubber contact cement foundry silica sand 20 silica sand 5. bss1278 cement welding supplies portland ordinary potland cement sand and cement
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